WELCOME FRIENDS, FAMILY & FACULTY!

This blog is an art history experiment for our Italian Renaissance travel course. We hope that you, our visitors, will not only take some time to read about what we are studying, but will ALSO feel free to make comments or ask us questions...especially after we see (most of) these things in person. As we travel, we will offer personal reflections on our experiences. After we fly out on the 17th, follow us as we visit Rome (May 18-20), Florence (20-24), and Venice (24-25). We return on Thursday, May 26...just in time for the holiday weekend.

Thursday, May 12, 2011

Pollaiuolo's Hercules

Polla, Pollaiu,....That Guy (we can't pronounce his name)

  • Excels in portraying action and motion
  • Mythological subjects
  • No one since Hellenistic period depicted the figure in motion like this 
    • Castagno attempted in his David shield, probably influenced Pollaiuo
Hercules
  • 3 Paintings depicting the Labors of Hercules (1460)
  • Political significance
    • favorite Florentine hero
    • moved at the time of the Midici's expulsion from Florence - political message
  • Originals lost (but we have 2 smaller panels)
  • Painted on Canvas, unusual material suggests unique use 
  • Among first large scale mythological scenes

Hercules and the Hydra and Hercules and Antaeus (Hercules was fighting this guy who's mother was the Earth)


  • Hercules is not represented as a glorious figure - straining muscles make him human
    • Pollaiuolo shows a new interest in naturalism and "science" that is more vital and dynamic than ever
  • Studied Body in Depth
    • Dissected cadavers?
  • Later rendered Antaeus composition in bronze sculpture
    • electrified space around the sculpture
    • Broke new ground with figures unposed, allowed to move realistically in space in any direction
    • Preceded by Rossellino's work
    • Some say piece on his right leg was added to keep it from tipping over - examine the axis 

-Abbie


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