- Excels in portraying action and motion
- Mythological subjects
- No one since Hellenistic period depicted the figure in motion like this
- Castagno attempted in his David shield, probably influenced Pollaiuo
Hercules
- 3 Paintings depicting the Labors of Hercules (1460)
- Political significance
- favorite Florentine hero
- moved at the time of the Midici's expulsion from Florence - political message
- Originals lost (but we have 2 smaller panels)
- Painted on Canvas, unusual material suggests unique use
- Among first large scale mythological scenes
- Hercules is not represented as a glorious figure - straining muscles make him human
- Pollaiuolo shows a new interest in naturalism and "science" that is more vital and dynamic than ever
- Studied Body in Depth
- Dissected cadavers?
- Later rendered Antaeus composition in bronze sculpture
- electrified space around the sculpture
- Broke new ground with figures unposed, allowed to move realistically in space in any direction
- Preceded by Rossellino's work
- Some say piece on his right leg was added to keep it from tipping over - examine the axis
-Abbie
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