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This blog is an art history experiment for our Italian Renaissance travel course. We hope that you, our visitors, will not only take some time to read about what we are studying, but will ALSO feel free to make comments or ask us questions...especially after we see (most of) these things in person. As we travel, we will offer personal reflections on our experiences. After we fly out on the 17th, follow us as we visit Rome (May 18-20), Florence (20-24), and Venice (24-25). We return on Thursday, May 26...just in time for the holiday weekend.

Sunday, May 8, 2011

TEMPERA

Tempera

Explain:

-Fresco and Tempera were the main techniques used in the 13th century.
-First step to design is to construct the wooden panels of finely sanded poplar, linden, or willow wood
-Second step is to cover the panels and the wood with A LOT of gesso
-Third step is to sketch out with charcoal the design and drawing
-A gold layer is always added behind the figures in paintings in that age (gold leaf)
-Then the underpainting which then comes the final layers of tempera to finish the layers of the process
Based on Cennini
  
-Detailed descriptions of the way Cennini did things/painted
-There weren't any other 'technical handbooks' on technique during that era other than Cennini's   
-He tried and figured out ways in painting that would last

Shaped the way painting was done to preserve paintings
        i.e. Madonna and Child done by Duccio di Buoninsegna lasted a very long time because of this method
Created a very "golden feel" to this tempera method - influenced the look in that time

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