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This blog is an art history experiment for our Italian Renaissance travel course. We hope that you, our visitors, will not only take some time to read about what we are studying, but will ALSO feel free to make comments or ask us questions...especially after we see (most of) these things in person. As we travel, we will offer personal reflections on our experiences. After we fly out on the 17th, follow us as we visit Rome (May 18-20), Florence (20-24), and Venice (24-25). We return on Thursday, May 26...just in time for the holiday weekend.

Thursday, May 12, 2011

Titian: Sacred and Profane Love



Titian: Sacred and Profane Love, 1513-14

  • Probably commissioned by Niccolo Aurelio celebrating the wedding to Laura Bagarotto in 1514. 
  • Niccolo is the vice Chancelor of the Venetian Republic (his coat of arms appears on the fountain relief) 
  • Two woman look like sisters with almost identical complexions, hair color, similar red and white garments; They both are seated on a fountain resembling a sarcophagus. 
  • The title of Sacred and Profane Love was given later on and is discredited as a good title by modern historians
  • Triangles, simple composition, harmonious
  • Warm feel, rich color characteristic of Titian’s oil glazing techniques
Bride (earthly venus):
  • Could be the bride Laura or an idealized bride
  • Clothed in white (silvery-bluish tint) Locked belt girdle
  • Gloved, one hand on a closed jar, one hand playing with a cut rose
  • Fortified hill, huntsman returning
  • Country-side with two rabbits: Symbolizing love
  • Gazing out past the viewer 
  • Crowned with the myrtle; sacred to Venus and Laura (laurel plant)
  • Closed jar of jewels symbolic of "fleeting happiness on earth" 
Venus (celestial):
  • Probably represents the Venus, her celestial nature
  • Nude with small white scarf, and rose colored cloak
  • Left hand holding up an urn that has a flame in it (burning flame is symbolic of of divine love)
  • Open landscape, with a lake (spacious = a place to go beyond earth) 
  • Huntsman catching a rabbit
  • Shepherds tending a flock
  • Church steeple on the horizon (heavenly)
  • Symbolic of neoplatonist view of divine love and “eternal happiness in heaven”
Fountain imagery:
    • The Fountain with a lid symbolic of the human soul trapped in material world; (Plato's cave)
    • Cupid Stirring the water- (force of love, binding or harmonizing the area between the two loves
  • A golden bowl half filled with clear water is on the edge
  • The Fountain depicts scenes of earthly passion/violence (chaotic love)
    • A man attempting rape 
    • Unbridled horse
    • A man being beaten 
    • A guy and a girl by a tree (adam and eve?)
Interpretations:
  • Runs deeper than just sacred love vs profane love
  • Neoplatonic exaltation of both earthly and heavenly love; (double nature of Venus)
    • Two powers of the soul: (both honorable and praiseworthy) 
      • The power to contemplate beauty
      • The power to propagate (spread or promote) beauty
*Meant to inspire the viewer to contemplate the mystery of love, beauty, and marriage 
      • The hierarchal progression from chaotic love to divine transcendent love

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