The Sacrifice of Issac

We learned about the 1401 competition for the second bronze doors of the Florentine Baptistry, in class.  Yet it was something altogether different to see the competition panels in person.  Up close you can see the stark contrast of the Sacrifice of Issac from Ghiberti's panel to Flilippo Brunelleschi's.  Both depictions of Issac are skillful, in their own way, but the lightness and harmony conveyed by Ghiberti's panel is unmatched.  He shows a variation of depth, which helps the eye categorize the action.  Nothing competes with the central action, the sacrifice of Issac.  He also referneces ancient art in the servant pulling a thorn from his foot and Issac's idealized figure.  The action and movement all radiats from Abraham and Issac, radiating around the remainder of the work.  Where Brunelleschi's panel shows a single space, with competing figures that hardly fit the frame, and distracting action, Ghiberti's provides a harmonious and unified story that engages the viewer.  I found my eyes continuously returning to Ghiberti's work, captured by a Bible story brought to life.  In person, there is no doubt that Ghiberti's panel was rightfully chosen.